Audio Technica AT-OC9ML/II (s/n 1384) (new; 5 hours of play)
Audio Technica AT660T/OCC (s/n not shown)
Technics SL-1200mk2 (s/n unknown; black audio cables)
Crown IC 150A (s/n 19605)
Lynx Aurora (n) 32 DNT 192/24 (s/n 6020382148)

Tony Mottola Love Songs Mexico / S.A.

RS889SD
Command records
Stereo
1965

Side 1
01 Theme from "Black Orpheus" (Manha De Carnaval)
(Ross Jungnickel)

02 Guadalajara
(Peer Int'l. Corp.)

03 Sabor A Mi (Be True To Me)
(Peer Int'l. Corp.)

04 Mexican Hat Dance
(E.B. Marks Music Corp.)

05 the Girl From Ipanema
(Duchess Music Corp.)

06 Mexican Medley
La Paloma ; La Golondrina ; Cielito Lindo
(Public Domain)

Side 2
07 Besame Mucho
(Peer Int'l. Corp.)

08 Brasilia
(Almo Music Corp.)

09 Maria Elena
(Peer Int'l. Corp.)

10 Curacao
(Welzheim Music Pub. Corp.)

11 Piel Canela
(E.B. Marks Music Corp.)

12 La Bamba
(Simon-Jackson Inc.)

Technical Data:
this record is an example of the finest quality
sound fidelity that can be achieved with a
multiple microphone pickup. From the origin of the
sound in a large acoustically perfect studio to
the editing and re-recording to the final pressing
of the record only the finest equipment is used
- Some of the microphones used, representing
the best of all manufactures available, are the:
RCA-44BX, telefunken U-47, telefunken KM 56,
Telefunken 201, Western Electric 1142A, Altec 639B,
RCA-77D.

The reason for the multiplicity of microphone
types is to insure that the optimum instrumental
sound will be reproduced by use of the microphone
whose characteristics are most complementary
to that particular instrument. The original tape
was recorded on Ampex equipment.

Re-recording was from Ampex tape machines
through 200 watt cutting amplifiers (specially
designed) which drive a Westrex feedback cutter.

This specially selected Westrex cutter is installed
on an Audomatic Scully lathe fitted with variable
electronic depth control and variable pitch mechanisms.

From the preparation of the acetate master to the
final stamper used to make this copy, all phases
of the manufacturing process are carefully supervised
and maximum quality control is exercised
to the highest degree known at the present state
of the industry.

RIAA standards are fully compiled with in these
new COMMAND Records and for best results we
recommend that standard RIAA characteristics
for each channel should be follwed. Great care
should be exercised in the selection of the stereo
cartridge-properly adjusted for optimum tracking
force and a manimum of tracking error-and,
when playing through a two channel reproducing
system of quality workmanship this COMMAND Record
will delight the most discriminating audiophile.